[et_pb_section fb_built= »1″ _builder_version= »4.27.5″ _module_preset= »default » global_colors_info= »{} »][et_pb_row column_structure= »2_5,3_5″ make_equal= »on » _builder_version= »4.27.5″ _module_preset= »default » custom_padding= »0px|0px|0px|0px|false|false » global_colors_info= »{} »][et_pb_column type= »2_5″ _builder_version= »4.27.5″ _module_preset= »default » background_color= »#b0b0b0″ global_colors_info= »{} »][et_pb_image src= »https:\/\/ieo-opm.com\/wp-content\/uploads\/Bernard-Cauhape.jpg » alt= »Bernard Cauhap\u00e9 a l’Estivada en 2012 (f\u00f2to CIRDOC) » title_text= »Bernard Cauhap\u00e9 a l’Estivada en 2012 (f\u00f2to CIRDOC) » show_in_lightbox= »on » _builder_version= »4.27.5″ _module_preset= »default » global_colors_info= »{} »][\/et_pb_image][\/et_pb_column][et_pb_column type= »3_5″ _builder_version= »4.27.5″ _module_preset= »default » global_colors_info= »{} »][et_pb_text _builder_version= »4.27.5″ _module_preset= »default » text_orientation= »justified » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″]<\/p>\n
Un autre amic ven de nos daissar, dins la nu\u00e8it del 23 al 24 de febri\u00e8r, a 4 oras del matin. Un amic que disi\u00e1 d\u2019el-meteis, en risent: « Soi coma una sala polivalenta ». E, vertat, aquel bearn\u00e9s d\u2019origina (nascut en 1953 a Pau), avairon\u00e9s d\u2019adopcion, \u00e8ra un artista compl\u00e8t, d\u2019una polival\u00e9ncia remarcabla. Apr\u00e8s \u00e8sser estat animator cultural dins lo Naucel\u00e9s, e sonorizator (\u00e8ra fi\u00e8r de dire qu\u2019avi\u00e1 sonorizat Count Basie al Teatre antic d\u2019Aurenja), fagu\u00e8t miranda dins l\u2019illustracion coma dins l\u2019interpretacion teatrala o musicala, o encara l\u2019escritura. E plan mai : a l\u2019Estivada de Rod\u00e9s s\u2019encargu\u00e8t magistralament de la programacion teatrala, de la decoracion del site, de la presentacion (memorabla!) dels artistas. Coma a l\u2019Ostal Joan Bodon, pel qual fogu\u00e8t un scenografe e un museografe de tria. Bernart \u00e8ra un \u00f2me vertadi\u00e8rament inspirat que, coma o ditz Jan dau Melhau, se gardava plan d\u2019anar jogar dins la cort dels pretensioses e dels pesolhs revenguts. Simple, totjorn sinc\u00e8r, amor\u00f3s de la vida, dels mots e de la musica (particularament lo jazz), aquel m\u00e8stre de l\u2019umor personal e inesperat, coma de las intervencions publicas pus fadorlas, fasi\u00e1 m\u00f2stra d\u2019un en\u00f2rme talent, totjorn renovelat, dins mai d\u2019un domeni.<\/p>\n
Jol pseudonime de K. O. P., sign\u00e8t una \u00f2bra picturala abondosa e b\u00e8la, plena de colors, de dessenhs e de libertat, ont jogava ambe la pluma, l\u2019aq\u00fcar\u00e8la, l\u2019acrilic, l\u2019imaginacion, la poesia, l\u2019ironia e l\u2019absurde. Illustr\u00e8t un fum de libres e de revistasEntre d\u2019autres, D\u2019aveyron tout conte fait<\/em> (t\u00e8xte de Teresa Canet, Daniel L\u2019Homond, Jan dau Melhau), Aveyron magazine<\/em>, 2001; Nasr-Eddin f\u00f2l de bon sens<\/em> (t\u00e8xte d\u2019Ives Roqueta, CRDP Midi-Pyr\u00e9n\u00e9es, 2003) ; Le vin de palme<\/em> (t\u00e8xte d\u2019Yves Garric, Le fil d\u2019Ariane) ; Cada jorn<\/em> (t\u00e8xte de B. Berg\u00e9, J.-C. S\u00e8rras, Florian Vernet, IEO Edicions) ; Limitas<\/em> (t\u00e8xte de B. Berg\u00e9, J.-C. S\u00e8rras, Joan Bodon, IEO Edicions) ; Lo renhe de Jan\u00fas<\/em> (t\u00e8xte de Quim Cand\u00e8rs, ed. Edite-Moi). <\/span><\/span><\/span>, de cartas postalas e d\u2019afichas, de pochetas de CDs, totjorn dins la mira del plaser de crear, de compartir, de rire, amb una inextinguibla set d\u2019umanitat e de beutat. De Acabatz d\u2019intrar<\/em> a la recenta Les Cauhap\u00e9 en cabane<\/em> (en complicitat ambe M\u00e9lie), en passant per sa participacion decisiva a l\u2019espectacle Recuerdos<\/em> de Guillaume L\u00f3pez o son engatjament politicopictural per salvar la cascada de Salas-la-Sorsa, sas nombrosas exposicions e performan\u00e7as en dir\u00e8cte li balh\u00e8ron l\u2019admiracion e la plena fisan\u00e7a d\u2019un public tant eclectic coma el, e encantat. J\u00f2ia, amor, umor : sos pr\u00f2pris libres fasi\u00e1n pas tanpauc excepcion a la r\u00e8glaPens\u00e9es b\u00eates<\/em>, ed. Au chien qui p\u00e8te, 2016 ; Faits divers, br\u00e8ves et petites annonces<\/em>, ambe Raoul Lambert, Ed. du Rouergue, 2000.<\/span><\/span><\/span>, se pod\u00e8m parlar de « r\u00e8gla » en l\u2019ocurren\u00e7a, de tant lo Bernat \u00e8ra, dins son art, f\u00f2ra n\u00f2rmas.<\/p>\n Son gaubi s\u2019exprimissi\u00e1 tanben dins lo teatre : nos soven\u00e8m amb emocion del succ\u00e8s de Une ferme en T. R. O. P.<\/em>, que ne fogu\u00e8t lo meteire en sc\u00e8na genial, tanben de la Comedia dell\u2019\u00d2c (que, entre d\u2019autras, present\u00e8t de p\u00e8\u00e7as d\u2019Al\u00e8m Surre-Garcia e l\u2019inoblidable Macarel Show, ambe los amics Wally, Lionel Su\u00e1rez e Jean-Sylvain Savignoni). Dins son revolum creator, i avi\u00e1 \u2013 dempu\u00e8i totjorn \u2013 la musica<\/a>, pel cap, sus sc\u00e8na e sus CDs : per ex. Biling\u00fce (ambe Laurent Becq), o Savignoni Trio e lo Papet, ont Bernat fogu\u00e8t la primi\u00e8ra votz occitana a cantar de jazz manoish, d\u2019estandards que son amic Rob\u00e8rt Mart\u00ed n\u2019avi\u00e1 fait l\u2019adaptacion en lenga n\u00f2stra.<\/p>\n A l\u2019IEO OPM desbrembarem pas lo grand artista, l\u2019\u00f2me gener\u00f3s, fid\u00e8l e frairal, ni la collaboracion fructuosa que veniam d\u2019entamenar amb el.<\/p>\n A Sylvie, son esposa, e a M\u00e9lie, sa filha, presentam las n\u00f2stras condolen\u00e7as pus entristesidas.<\/p>\n Eric Fraj<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Un autre amic ven de nos daissar, dins la nu\u00e8it del 23 al 24 de febri\u00e8r, a 4 oras del matin. Un amic que disi\u00e1 d\u2019el-meteis, en risent: « Soi coma una sala polivalenta ». E, vertat, aquel bearn\u00e9s d\u2019origina (nascut en 1953 a Pau), avairon\u00e9s d\u2019adopcion, \u00e8ra un artista compl\u00e8t, d\u2019una polival\u00e9ncia remarcabla.<\/p>\n","protected":false},"author":1,"featured_media":42391,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[68],"tags":[635,521],"class_list":["post-42400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualitats","tag-bernard-cauhape","tag-malhum-oc-2"],"_links":{"self":[{"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/posts\/42400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/comments?post=42400"}],"version-history":[{"count":1,"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/posts\/42400\/revisions"}],"predecessor-version":[{"id":42401,"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/posts\/42400\/revisions\/42401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/media\/42391"}],"wp:attachment":[{"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/media?parent=42400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/categories?post=42400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ieo-opm.com\/oc\/wp-json\/wp\/v2\/tags?post=42400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}